Local keyboardist enjoys being a Crowe February 19, 1999 posted by Seppi BY BRIAN MCCOLLUM Free Press Pop Music Writer Eddie Harsch thought it would last four months. A seasoned pianist-organist who'd made his name on the blues circuit with such acts as Albert Collins and James Cotton, the Detroit musician figured his 1991 residency with the Black Crowes was just that. Things were breaking big for the Crowes that January: "Shake Your Money Maker" had just been certified for one million sales when Harsch flew to Atlanta to audition between dates on the Crowes' first national tour. He'd been recommended by a mutual friend: veteran keyboardist Chuck Levelle, who'd performed on the album but didn't want to tour. Harsch got the job after a 10-minute jam on "Hard to Handle" and "Jealous Again," the group's two recent radio smashes. "OK, he knows the hits," shouted drummer Steve Gorman, hopping off the drum riser. "Let's get out of here." In time, though, it became clear that Harsch wasn't going to be just a utility player on the Crowes' backing crew. "We had the same musical background, listened to a lot of the same stuff," Harsch recalls. "When we sat down and actually started talking, it was kind of remarkable how parallel it was. It's still that way." Singer Chris Robinson says Harsch's offbeat humor and chops made the perfect match for the Crowes. "He's our resident alien," Robinson says with a laugh. "But he's a genius player, man." Much as you'd expect with a band that values artistic freedom, Harsch says he gets plenty of room to operate within the creative world of the songwriting Robinson brothers. "Since Rich writes the body of the instrumental parts of the songs, he'll have a suggestion, but he'll also know just to feed me a couple of adjectives, and I'll come up with something based on that," Harsch says. "They have enough faith in me to come up with something." Harsch, 39, was born in Toronto and lured here in the early '80s by Detroit's "bohemian subculture." These days, he says, he lives out of his suitcase, spending only brief blocks of time at his rented house in the Cass Corridor. When he is in town, he's a common sight for local night owls, who catch him jamming onstage with the Howling Diablos, Johnnie Bassett and the Reefermen. Harsch has also contributed to albums by George Clinton, Kid Rock and Robert Bradley's Blackwater Surprise. "His strengths are in blues-gospel," says Diablos vocalist Martin (Tino) Gross. "Eddie is a musician -- he's not a rock star. He keeps it real." Harsch says he never envisioned he'd be gigging with the Crowes in 1999. But when that first tour wrapped up in April '91, he was offered a deal to permanently join the band. And he hasn't looked back. "By that time," he says, "I was having way too much fun to turn around and leave."